Affleck tribute to real-life Argo hero
Tony Mendez is best known for the daring rescue mission which inspired the Ben Affleck film.

Source: BBC News - Entertainment & Arts | 20 Jan 2019 | 4:36 pm

Cardi B Slams Tomi Lahren in Political Twitter Battle
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Source: E! Online (CA) - Top Stories | 20 Jan 2019 | 3:55 pm

The Real-Life Cases That Inspired True Detective Season 3

Many critics are embracing the third season of True Detective as a return to form after a disappointing second installment. While the series is largely a fictional work, writers Nic Pizzolato and David Milch have clearly drawn some inspiration from real-life cases and phenomena like the Satanic Panic, “stranger danger” and the rise of true crime in pop culture.

In the opening episodes of the show, two siblings, Will and Julie Purcell, disappear while riding their bikes in Arkansas. By the end of the first episode, Wayne Hays (Mahershala Ali) and his partner Roland West (Stephen Dorff) confirm that Will is dead — they find his body in the woods positioned with religious iconography — but believe Julie to still be missing.

The story is told in three distinct timelines: The crime takes place in 1980, the investigation is reopened in 1990, and the detective who works on both cases, Hays, is interviewed about the case for a true crime documentary in 2015. Hays, who by 2015 is suffering from dementia, searches his memory for the facts of the case as he relates them to the filmmakers.

Many of those details seem to be plucked from real-life cases from the ’80s and ’90s. Here’s what you need to know about the true stories behind True Detective, Season 3.

The West Memphis Three

Creator Nick Pizzolato has dismissed the idea that the show was inspired by the infamous West Memphis Three case, but whether intentional or not, a few parallels do exist.

In 1993, three Arkansas teenagers named Jessie Misskelley, Damien Echols and Jason Baldwin, were convicted of the murder of three 8-year-old boys, Steve Branch, Michael Moore and Christopher Byers. The murders rose to national interest in part because of the “Satanic Panic” sweeping the country in the ’80s and ’90s. After horrible crimes like the Manson Murders and the Ted Bundy murders made headlines, the police, the media and laypeople channeled much of their anxiety about the violence into about pop culture phenomena popular among teens, like heavy metal and fantasy roleplaying games.

Filmmakers Joe Berlinger and Bruce Sinofsky documented the trial of the boys and the aftermath in the landmark true crime film, Paradise Lost in 1996. But in 2007, DNA tests showed that there was no physical evidence that linked the three teens to the murder of the boys. After new hearings, the three accused men were let out of prison. DNA evidence eventually pointed to Terry Hobbs, the stepfather of Steve Branch as a possible suspect.

Satanic panic looms large in the first episode of this season of True Detective: Wayne and Roland interrogate three boys who were spotted near the Purcell siblings on the evening that they disappeared. During one of the initial interviews, Roland remarks on the Black Sabbath shirt that one of the teenage boys is wearing and asks him whether the band has anything to do with Satanism. Wayne and Roland also linger on a Dungeons and Dragons game in the house of the missing children.

But the show also suggests that the three teen boys could be a false lead. At the beginning of the first episode, the detectives discover a hole drilled inside Will’s closet that allows the viewer to see into Julie’s room and suggest their cousin, Dan, might have been abusing the young girl.

Kevin Ives and Don Henry

In 1987, two teenage boys, Kevin Ives and Don Henry, were found dead on train tracks in Alexander, Ark. At first, police believed that the boys had died after smoking marijuana and falling asleep, but other evidence suggested that the boys were killed and then moved to another location— much like Will in True Detective. The case remains unsolved, and conspiracy theories about government involvement has swirled around the deaths for years. (Bill Clinton was the governor of Arkansas at the time, so these rumors tended to resurface every time Bill or Hillary ran for office.)

Perhaps the most pertinent parallel between this case and True Detective is that both cases were documented by a true crime writer. Mara Leveritt, a reporter who wrote about the West Memphis Three, published a book called Boys on the Tracks: A Mother’s Crusade for Justice about Linda Ives. In the television series, Wayne’s eventual wife, Amelia Reardon (Carmen Ejogo) who he meets while investigating the case, writes a book about the unsolved Purcell case.

Jacob Wetterling

In 1989, an 11-year-old named Jacob Wetterling was abducted and killed along with his brother and friend while the three were riding their bikes home in Minnesota. Two of the boys were let go, but Jacob remained missing for 27 years. The panic around Wetterling’s missing persons case helped fuel the notion of “stranger danger,” and parents began to curb their children’s time outside. Images of children riding their bikes around the neighborhood in ’80s-set shows and movies like E.T. and The Goonies (and revived recently with Stranger Things), became a freedom of yesteryear.

In 2016, a longtime suspect in the Wetterling case, Danny Heinrich, confessed to authorities and showed them the boy’s remains. He was later sentenced to 20 years. The true crime podcast In the Dark, which happened to be investigating the case at the time of this revelation, had to re-edit their episodes last minute and won a Peabody Award for their work.

Though Wetterling was kidnapped in Minnesota, not Arkansas, there are several similarities: The children in this season of True Detective go missing while riding bikes, and that the detectives at the center of this season have spent decades looking for the culprit.

Sexual Abuse in the Church

In the first two episodes of True Detective, Will Parcell is found dead with his hands in prayer. The dolls positioned around him might suggest that his death had something to do with Satan worship or the occult. But Pizzolato has said in interviews that he grew up in an extremely religious, survivalist household, and that his childhood has informed his skepticism of religion, especially confronted with the science of a police investigation. It is entirely possible that, as in the first season of True Detective, someone in the church or at least a member of the local congregation could play a role in the murders.

Source: Entertainment – TIME | 20 Jan 2019 | 3:20 pm

Green Book Wins Top Honor at the Producers Guild Awards

(BEVERLY HILLS, Calif.) — The Oscars race may have gotten a little clearer Saturday night as the race-themed road trip drama “Green Book” drove off with the top honor at the Producers Guild Awards, winning out over presumed front-runners like “Roma,” ”A Star Is Born” and “Black Panther.”

“When you make ‘Dumb and Dumber’ you never expect to get an award,” said “Green Book” producer and director Peter Farrelly as he accepted the Darryl F. Zanuck Award at the untelevised ceremony in Beverly Hills. He laughed that not only is this his first PGA awards, but that it’s the first time he has even heard of them.

“I’m so grateful to be in this business,” Farrelly said.

Ten films were up for the honor, including “BlacKkKlansman,” ”Bohemian Rhapsody,” ”Crazy Rich Asians,” ”The Favourite,” ”A Quiet Place” and “Vice.” In the broader awards race, the PGAs are a closely-watched event. The Darryl F. Zanuck Award winner has gone on to win the best picture Oscar 20 out of 29 times, including last year with “The Shape of Water.”

“Green Book” has had a rollercoaster awards campaign, weathering its share of both praise and backlash. But the film has with its PGA and Golden Globe wins emerged stronger than ever going into Tuesday’s Academy Award nominations.

The Fred Rogers film “Won’t You Be My Neighbor?” won for documentary, and “Spider-Man: Into the Spider-Verse” collected the animation award to much applause.

“We tried really hard to make a movie that was good enough for Miles Morales and his family to be in,” said “Spider-Verse” producer and co-writer Phil Lord.

The producers of nine television programs were also recognized, including “The Americans,” for drama, “The Marvelous Mrs. Maisel,” for comedy, “RuPaul’s Drag Race,” game and competition television, “Anthony Bourdain: Parts Unknown,” for non-fiction television, and “The Assassination of Gianni Versace” for limited series. “Sesame Street” won for children’s programming, “Being Serena” for sports program and “Comedians in Cars Getting Coffee” for short form.

The awards were almost a backdrop, however, to the multiple special honors bestowed throughout the evening to people like Marvel chief Kevin Feige, Jane Fonda, “Black-ish” creator Kenya Barris, Warner Bros. Pictures Group Chairman Toby Emmerich and “The Marvelous Mrs. Maisel” creator Amy Sherman-Palladino.

Bradley Cooper got to thank Emmerich for taking a chance in letting him, a first-time director, make the fourth remake of a movie (“A Star Is Born”) with a star who had never been in a movie before.

“I’m so proud to have been your wingman on your maiden voyage,” Emmerich said accepting the Milestone Award. “Please count me in on many more journeys.”

Robert Downey Jr. was on hand to introduce Feige, the David O. Selznick Achievement Award recipient, who he said “MEDVACed me from the top of insurance-risk mountain and delivered me to the upper-middle of the Forbes list.”

Feige thanked Downey Jr., but noted that he “hasn’t aged a day” since they made the first “Iron Man” over 10 years ago.

“I on the other hand look like I picked the wrong grail,” Feige said. “It’s an ‘Indiana Jones and the Last Crusade’ reference!”

Barris would also reference Feige’s oeuvre when accepting the Visionary Award, speaking about how Norman Lear taught him as a kid about “the importance of representation and seeing yourself.”

“Black Panther,” he said, did something similar.

“You always hear the notion that black movies don’t travel,” Barris said. “They told an African fairytale, and it’s the third biggest movie of all time. What that said to me was that humanity translates. Telling good stories to people anywhere from your heart translates.”

Norman Lear, who was there to introduce Barris, but did not present the award named after him to Sherman-Palladino, was also an oft-mentioned name.

“He taught sitcom writers how to write sitcoms,” she said.

Lear, later, said that listening to her talk about him made for “the most delicious evening I can remember.”

But it was perhaps Jane Fonda who had one of the best moments of the evening, getting up to accept the Stanley Kramer Award, and noting that she actually knew all the guys the awards were named after.

“It is fun to be old” she said. “It is so hard to be young.”

Source: Entertainment – TIME | 20 Jan 2019 | 3:04 pm

Inside Kaitlyn Bristowe and Jason Tartick's "Date Night Gone Wild"
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Source: E! Online (CA) - Top Stories | 20 Jan 2019 | 2:49 pm

M. Night Shyamalan’s Glass Scores No. 1 Box Office Spot With $40.6 Million Opening

(NEW YORK) — M. Night Shyamalan scored his fifth No. 1 movie as the director’s “Glass,” while not quite the blockbuster some expected, nevertheless dominated Martin Luther King Jr. holiday weekend at the box office with $40.6 million in ticket sales according to studio estimates Sunday.

Universal Pictures predicted that “Glass” will make about $47 million over the four-day holiday weekend. Some industry forecasts had gone as high as $75 million over four days. But poor reviews took some of the momentum away from “Glass,” Shyamalan’s final entry in a trilogy begun with 2000’s “Unbreakable” and followed up with 2017’s “Split.”

Shyamalan’s film registered a 35 percent “fresh” rating on Rotten Tomatoes. Audiences also gave it a mediocre B Cinema Score.

Yet the result still proved the renewed draw of Shyamalan, the “Sixth Sense” filmmaker synonymous with supernatural thrillers and unpredictable plot twists. “Split,” which greatly overshot expectations with a $40 million opening and $278.5 million worldwide, signaled Shyamalan’s return as a box-office force, now teamed up with horror factory Blumhouse Productions. Shyamalan, himself, put up the film’s approximately $20 million budget.

Jim Orr, president of domestic distribution for Universal, said any forecasts beyond how “Glass” performed were out of whack with the studio’s own expectations. Orr granted that better reviews might have meant a larger return and that the winter storm across the Midwest and Northeast may have dampened results.

But he said Universal was thrilled with the results. The four-day total ranks “Glass” as the third best MLK weekend openings ever, behind only “American Sniper” ($107.2 million) and “Ride Along” ($48.6 million). “Glass” also picked up $48.5 million overseas, where Disney had distribution rights.

“This came in at or above any reasonable industry expectations,” said Orr.

Last week’s top film, Kevin Hart’s “The Upside,” held especially well in its second weekend, sliding only 23 percent with $15.7 million. STX Entertainment estimated it will take $19.5 million over the four-day period, offering further proof that Hart’s fallout as Oscar host over past homophobic tweets hasn’t hurt his box office appeal.

But the weekend’s biggest surprise was the Japanese anime film “Dragon Ball Super: Broly,” which earned an estimated $8.7 million on the weekend from just 1,250 North American theaters, according to Comscore, and $19.5 million since opening Wednesday. (It grossed more than $7 million just on opening day.) The Funimation Films release, an animated martial arts fantasy, is the 20th film in the “Dragon Ball” franchise.

The result for “Dragon Ball Super: Broly” caught Hollywood off guard, prompting many to wonder: Just what is Dragon Ball? And who is Broly? (A nutty anime series created by Akira Toriyama, and the film’s warrior antagonist, respectively.)

“The enthusiasm for this movie was certainly reflected in these much bigger than expected numbers for a title that I don’t think anyone was that aware of, other than the true fans,” said Paul Dergarabedian, senior media analyst for Comscore. “If you ask the average moviegoer if they’ve ever heard of ‘Dragon Ball Super: Broly,’ they’d have absolutely no idea what you’re talking about.”

Shyamalan and Broly could do only so much for the overall marketplace. Other studios held back new wide releases to avoid going head-to-head with “Glass.” The box office was down 18.4 percent from the same weekend last year when “Jumanji: Welcome the Jungle” was still packing theaters, according to Comscore.

Estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to Comscore. Where available, the latest international numbers for Friday through Sunday are also included. Final domestic figures will be released Monday.

1. “Glass,” $40.6 million.

2. “The Upside,” $15.7 million.

3. “Aquaman,” $10.3 million.

4. “Dragon Ball Super: Broly,” $8.7 million.

5. “Spider-Man: Into the Spider-Verse,” $7.3 million.

6. “A Dog’s Way Home,” $7.1 million.

7. “Escape Room,” $5.3 million.

8. “Mary Poppins,” $5.2 million.

9. “Bumblebee,” $4.7 million.

10. “On the Basis of Sex,” $4 million.

Source: Entertainment – TIME | 20 Jan 2019 | 2:19 pm

Pete Davidson addresses his wellbeing in 'SNL' return
"Saturday Night Live" comedian Pete Davidson joked about his troubling Instagram post that led to a police wellness check as part of a "Weekend Update" segment late Saturday night.

Source: - RSS Channel - Entertainment | 20 Jan 2019 | 2:01 pm

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Source: Reuters: Entertainment News | 20 Jan 2019 | 12:02 pm

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President Trump Says ‘No Deal’ to Shutdown Negotiations on ‘Saturday Night Live’ Cold Open

Saturday Night Live mocked the federal government shutdown on Saturday night with a Deal or No Deal-style imitation of the stalled negotiations between Democrats and President Trump over funding Trump’s border wall.

The show’s cold open had President Trump, played by Alec Baldwin, appear as a contestant on a bizarre version of NBC’s popular game show Deal or No Deal. Instead of models holding briefcases, the SNL version had members of Congress offer the President possible deals to end the shutdown, now entering its fifth week, which he summarily rejected.

The sketch featured memorable interactions between Baldwin’s Trump and a intimidating, provocative Nancy Pelosi, played by Kate McKinnon, who describes herself as, “not like drunk on my own power or anything.”

One exchange highlighted the back and forth between Trump and Pelosi this week, where the speaker suggested a postponement of the State of the Union, and the President responded by demanding she fly commercial for an overseas trip.

“If the government is shut down, you can’t do the State of the Union,” McKinnon as Pelosi said. “It’s for security reasons, not because I’m vindictive or anything.”

“I can’t do the State of the Union? Then guess what. You’re not flying to Afghanistan,” Baldwin’s Trump shot back.

“I can’t go on my vacation to a war zone? What will I do?” said McKinnon’s Pelosi.

The sketch also mocked the President’s attitude toward the shutdown’s repercussions on hundreds of thousands of federal workers who have been furloughed or forced to work without pay.

“Every time that you choose ‘no deal,’ half a million federal employees work another day without getting paid,” Kenan Thompson as the host said.

“Cool story, bro,” Baldwin’s Trump responded. “No deal.”

Watch the full cold open here:

Source: Entertainment – TIME | 20 Jan 2019 | 10:59 am

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Source: Reuters: Entertainment News | 20 Jan 2019 | 9:21 am

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Source: Reuters: Entertainment News | 20 Jan 2019 | 8:57 am

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All of the Hidden Unbreakable and Split References in Glass

Warning: This post contains spoilers for Unbreakable, Split and Glass.

When Split premiered in 2017, fans were shocked when director M. Night Shyamalan revealed in the final minutes of the film that it was actually a sequel to his 2000 film, Unbreakable. Shyamalan later confirmed in interviews that the plot of Split was originally written as the third act of Unbreakable. Now, Shyamalan is bringing all of his super-powered men together in Glass, the final entry in his realistic superhero trilogy. Fortunately for fans, Glass is filled with easter eggs and hidden connections to the two other films.

A quick recap for those who have forgotten what happened in the two previous movies: In Unbreakable, a man named David Dunn (Bruce Willis) survives a train crash and discovers that he has super strength and unbreakable bones. He can also see a person’s sins when he touches them.

David is skeptical of his powers until Elijah Price, a man with fragile bones who is obsessed with comic books, proves to David that he is indeed a superhero. Only once David has accepted his powers does Elijah reveal that he orchestrated the train derailment in hopes of revealing someone’s super powers. Elijah dubs himself Mr. Glass, a supervillain who is David’s perfect opposite, before he is institutionalized.

Bruce Willis as David in 'Glass'
Disney—Universal/Kobal/REX/ShutterstockBruce Willis as Davidin ‘Glass’

In Split, a mysterious man (James McAvoy) kidnaps three teenage girls. The teens eventually realize that the man has 24 personalities, including the Beast, a super-strong cannibal. The man, born Kevin Wendell Crumb, was abused as a child and a series of meetings with his therapist reveal that the personalities (including his most dangerous, the bulletproof Beast) emerged to protect Kevin.

The Beast eats two of the girls, saying that he gains power from them. He lets the third girl Casey (Anya Taylor Joy) go because she has suffered through sexual abuse at the hands of her uncle and, according to the Beast’s philosophy, those who suffer will inherit the earth.

Thus the scene is set for Glass, in which David, Kevin and Elijah are all thrown into a psychiatric hospital because of their superhero delusions. At the end of Glass, Elijah orchestrates a fight between the Beast and David outside the hospital and films the interaction to prove to the world that superheroes and supervillains are real. All three men are eventually killed by a secret cabal led by Dr. Ellie Staple (Sarah Paulson) whose mission it is to take out all super-powered people, good or evil, to protect the world.

The characters’ favorite colors

Throughout Unbreakable, David wears lots of green (the color of the poncho he wears while fighting crime), and Elijah wears purple. In Split, Kevin wears yellow when he transforms into the Beast. All three characters continue to wear those respective colors in Glass, while Dr. Staple wears a lot of pink.

Sarah Paulson as Dr. Ellie Staple in 'Glass'
Disney—Universal/Kobal/REX/ShutterstockSarah Paulson as Dr. Ellie Staple in ‘Glass’ Film

Shyamalan uses these colors palettes throughout the film. The shelves in the comic book store where David’s son, Joseph (Spencer Treat Clark), shops are painted both purple and green. And the room where Dr. Staple speaks to the three men together is pink, signaling perhaps that she is in control of the situation.

M. Night Shyamalan plays the same man in all three films

M. Night Shyalaman often makes cameo appearances in his movies. He plays two seemingly unrelated roles in Unbreakable and a landlord in Split, only to reveal in Glass that the two men were the same person.

Shyamalan plays one of David Dunn’s first targets in Unbreakable. David, a security guard at a football stadium, brushes by Shyamalan’s character and sees that he was carrying drugs and a gun. David shares his vision with Elijah. Elijah then follows the character to find out if he is, in fact, carrying a gun. He also uses this information to confirm that David has superpowers.

Shyamalan appears again in Split, this time as Dr. Karen Fletcher’s landlord. Dr. Fletcher asks the landlord to play footage from a security camera outside of her building for her. Watching it, she is able to confirm that the Hive has taken control of Kevin Wendell Crumb’s body. She later confronts the Hive and is killed.

In Glass, Shymalan reveals that his two cameos are related. He plays a man who visits David Dunn’s electronic store and talks about how he is a former drug dealer who “turned himself around” and became a super. He is buying surveillance equipment because one of his tenants (Dr. Fletcher) was recently murdered.

The train accident

All three movies revolve around the train derailment that takes place in the opening minutes of Unbreakable. David Dunn is the only person to survive the accident in that film, which Elijah later reveals that he caused.

In Split, Kevin must go to the train tracks in order to unleash his final personality, the Beast. In that movie, he explains to his therapist, Dr. Fletcher, that his father left on a train and never returned, leaving Kevin with his abusive mother.

In Glass, Joseph discovers that Kevin’s father was killed in the same train accident that David survived. Thus, Elijah created two superheroes with one catastrophe.

Casey’s coat from the zoo

Kevin Wendell Crumb kept the girls he kidnapped under the zoo in Split. A zookeeper discovers Casey, the lone survivor, at the end of the film and offers her his jacket. (At this point her shirt has been ripped in her fight with the Beast.) Casey dons the coat during a scene from Glass as she leaves the mental hospital after her meeting with Dr. Staple.

James McAvoy as Kevin Wendell Crumb/The Horde and Anya Taylor-Joy as Casey Cooke in 'Glass'
J Kourkounis—Universal/Kobal/REX/ShutterstockJames McAvoy as Kevin Wendell Crumb/The Horde and Anya Taylor-Joy as Casey Cooke in ‘Glass’

Kevin’s scars

When The Beast emerges, he reveals two scars on his torso where Casey shot him with a shotgun in Split.

The “Marvel” building

Elijah hints that he will stage the final showdown between David and the Beast at Philadelphia’s tallest building. He gets the idea from a magazine cover, which declares the tower a “marvel” in the headline. The phrase is a nod to the prolific comic book publisher.

But the fact that the building is associated at all with Marvel should have tipped audiences off to the fact that the heroes and villains of Glass would never fight there. Shyamalan has called Glass a realistic superhero movie. Fighting at the top of a tower, as Marvel superheroes would, defies realism. Instead, Elijah forces the final fight to take place outside the mental hospital, where he can secretly control all the cameras and leak the footage out to the world.

Source: Entertainment – TIME | 18 Jan 2019 | 7:14 pm

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Source: BBC News - Entertainment & Arts | 18 Jan 2019 | 7:03 pm

Let’s Talk About the Ending of Glass

Warning: This post contains spoilers for Unbreakable, Split and Glass.

Twenty years after The Sixth Sense shocked audiences, M. Night Shyamalan’s name has become synonymous with the twist ending. The director cemented that notion in 2017 when Split left viewers with a teaser that revealed that the horror film was, in fact, a stealth sequel to his 2000 superhero film Unbreakable.

Despite the director’s reputation, the last act of Glass, the third and final entry in Shyamalan’s low-key superhero franchise, isn’t particularly surprising. Anyone who saw Unbreakable and Split probably predicted a grim finish to the triology. (Yes, plenty of people die.) But in Glass, Shyamalan seems less concerned with surprising the audience than hammering home the philosophical ideas he introduced in the films’ two predecessors. It’s a limp ending, as critics have noted, but it’s chock full of symbolism.

In Unbreakable and Split, Shyamalan asserted that those who experience trauma can grow into superior beings. It’s not a particularly original idea: The backstories of his superhero and two supervillains are essentially a dramatization of the famous Nietzsche quote, “What doesn’t kill you makes you stronger.” In Glass, he plays with yet another Nietzschean idea: The “ubermensch.” Often translated as super man, the ubermensch became the precursor for comic book superheroes. The German philosopher and Shyamalan both assert that this type of super-powered man represents humanity’s future.

But before we mine Glass’ finale for meaning, let’s quickly review what happened at the end of film: Elijah, a.k.a. Mr. Glass (Samuel L. Jackson), devises a plan to escape the psychiatric ward where he, Kevin Wendell Crumb (James McAvoy) and David Dunn (Bruce Willis) are being kept. Since the events of Unbreakable, Elijah has been obsessed with the idea that comic books are a historical record of real superheroes. He recognizes an opportunity to prove himself right when he learns that Kevin, who has Dissociative Identity Disorder, can summon a villainous identity called “the Beast.” He invites David to fight the Beast atop the tallest tower in Philadelphia so that the world can witness their strength. If David doesn’t agree, Elijah says he will blow up the building.

But it turns out that Elijah never planned for David and the Beast to make it to there. Elijah hacked the hospital’s security system so that video footage from the grounds would automatically be emailed to his mother (Charlayne Woodard) as proof. He then records himself waking up the Beast in the tunnels beneath the hospital and eventually orchestrates a fight between the Beast and David. Everything is captured on camera.

During the fight, David’s son Joseph (Spencer Treat Clark) reveals that Kevin’s father died on the same train that crashed while David was riding it in Unbreakable. In that first movie, Elijah admitted to causing that crash in order to find potential superheroes. Elijah is delighted by this new piece of information and asserts that he created two super-people by causing the accident: David back in 2000, and now Kevin, who suffered abuse from his mother after his father died and developed a superhuman identity to protect himself. The Beast responds by crushing Elijah’s fragile bones, fatally injuring him.

Dr. Ellie Staple, the “psychiatrist” played by Sarah Paulson, reveals herself to be a member of a cabal sworn to killing all super-humans, good or evil. All of the members of this secret organization sport shamrock tattoos on their wrists, for unknown reasons. Staple and her minions succeed at killing David and Kevin once they have become weakened by fighting one another. Staple then erases the video footage and tells her superhuman-hating colleagues that she would like to continue to exterminate super people across the world in order to maintain the world order. And here comes the first twist: She has been the real villain all along.

Up until this point, Elijah has pitched this final battle as the sort of showdown that typically shows up in the “special editions” of comic books. As Elijah dies, his mother asks him how he, a comic books expert, could not have predicted this ending. Elijah says, “It wasn’t a special edition. It was an origin story.”

Only after declaring victory does Staple realize that Elijah planned and recorded the entire fight. Kevin’s former victim Casey (Anya Taylor Joy), David’s son Joseph, and Elijah’s mother (who is unnamed in the script) release the footage into the world, as victorious music swells behind them. They hope that other downtrodden people will discover their superpowers. Next twist: it’s been an origin story all along.

So what does that have to do with Nietzsche? In Unbreakable, Elijah is born with fragile bones. He is constantly in pain and bullied throughout his life. So he develops his intellect in order to survive. It’s unclear how David developed his superpowers, but it’s implied in that same film that he may have developed unbreakable bones after he almost drowned as a child.

The abuse that Kevin Wendell Crumb experiences as a kid in Split results in him developing Dissociative Identity Disorder and eventually, his superpowers. At the end of that movie, the Beast lets Casey, one of the teenagers he has kidnapped, go—all because she has suffered sexual abuse throughout her life. (He only eats innocent girls who have never suffered.) The villain distills the movie’s philosophy in one creepy line: “Rejoice! The broken are more evolved.”

James McAvoy as Kevin Wendell Crumb/The Horde and Anya Taylor-Joy as Casey Cooke in 'Glass'
J Kourkounis—Universal/Kobal/REX/ShutterstockJames McAvoy as Kevin Wendell Crumb/The Horde and Anya Taylor-Joy as Casey Cooke in ‘Glass’

Trauma, Shyamalan asserts, forges strength. It’s a slightly problematic notion, especially in Casey’s case: Shyamalan essentially implies that sexual abuse can lead to women feeling more empowered, which undercuts the suffering that those women have experienced and minimizes their agency. It’s not exactly a #MeToo-friendly concept.

But given that these powerful people now exist, Shyamalan believes that to deny their superiority, as Dr. Staple does, would be wrong. That philosophical perspective essentially shifts the established power dynamics of the superhero series: Elijah and Kevin become sympathetic characters, while Dr. Staple becomes the true villain. Casey, David’s son, and Elijah’s mother become the heroes of the film when they join together to reveal the powers of their loved ones to the world.

Elijah’s mother implores him not to let the mental hospital deplete him and tells her dying son that he was spectacular at the end. (Remember, this is a man who murdered hundreds of people in Unbreakable.) Casey—despite having just been held hostage by Kevin and watching him eat two of her classmates just a few weeks earlier—is determined to help his kinder personalities emerge and suppress the Beast. She holds him in her lap and cries with him as he dies.

The ethics of this decision are questionable: Of course it’s wrong that Dr. Staple murdered David and Kevin (especially considering Kevin had been restored to his “good” identity.) But Casey’s tearful goodbye seems to absolve Kevin of the rape and murder one of his personalities perpetrated in the last film. Worse, Elijah is hailed as a hero in the final moments, even though he consciously, intentionally, and without excuse killed hundreds if not thousands of people in Unbreakable.

In part, this ending is a rebuke of the blockbuster superhero movies that have come to dominate pop culture in the 19 years since M. Night Shyamalan put Unbreakable into the world. The Marvel and DC superhero films continue to become more awe-inspiring, but less grounded in the process. The end also asserts that normal people can become extraordinary, an idea that has perhaps been lost as the superheroes who grace our screens become richer, more cosmic and arguably less relatable.

And perhaps Shyamalan’s final twist is his biggest, and most radical, yet: With the opportunity to build a larger superhero franchise and make gods of men, he instead insists on highlighting the potential for power in ordinary people.

Source: Entertainment – TIME | 18 Jan 2019 | 6:54 pm

Sony's RCA parts ways with R. Kelly after abuse uproar: media reports
R. Kelly has parted ways with his Sony Music-owned RCA record label, Billboard magazine, Variety and the New York Times reported on Friday, and he no longer appears on the roster of artists on RCA's website.

Source: Reuters: Entertainment News | 18 Jan 2019 | 6:18 pm

Gladys Knight defends decision to sing U.S. anthem at Super Bowl
Singer Gladys Knight has defended her decision to perform the U.S. national anthem after receiving criticism from supporters of former quarterback Colin Kaepernick, who used the pre-game tradition to protest racial injustice.

Source: Reuters: Entertainment News | 18 Jan 2019 | 5:22 pm

Catherine Deneuve to part with Saint Laurent gowns at auction
A beaded dress worn by Catherine Deneuve when she first met Alfred Hitchcock in 1969 are among dozens of glamorous gowns up for auction next week in Paris, where the French actress is due to part with her Yves Saint Laurent collection.

Source: Reuters: Entertainment News | 18 Jan 2019 | 3:58 pm

Ariana Grande drops '7 rings'
Ariana Grande makes one thing clear in her latest single: She doesn't need a man.

Source: - RSS Channel - Entertainment | 18 Jan 2019 | 3:38 pm

Here’s a Complete List of All the Upcoming DC Movies

With Aquaman making a nearly $300 million-splash in theaters since its December release, it seems the DC Extended Universe may have finally found its footing. And with Shazam! and Joaquin Phoenix’s solo Joker movie both set to hit theaters this year — followed by the Margot Robbie-led Birds of Prey as well as Wonder Woman 1984 in 2020 — DC Extended Universe fans aren’t going to have to wait long for more action.

In fact, Warner Bros.’ full slate of upcoming DC flicks, which includes nearly 25 titles, is jam-packed with movies that are sure to have superhero enthusiasts raring to secure their seats on opening night.

The DC Extended Universe has struggled to match the level of blockbuster success that the Marvel Cinematic Universe has achieved with superhero mega-hits like Black Panther and Avengers: Infinity War. But judging by the box office pulls of recent DC Extended Universe’s releases like Justice League and Wonder Woman, that may be beginning to change.

From DC movies that have a set release date to those that are still in development, here’s a complete list of all the upcoming DC movies — including those that don’t fall under the umbrella of the DC Extended Universe.

Shazam! (April 5, 2019)

Universe: DC Extended Universe

Zachary Levi will star as the superhero Shazam, formerly known as Captain Marvel, in what director David F. Sandberg (Annabelle: Creation, Lights Out) has said will be the DC Extended Universe’s most “lighthearted” movie to date. The story follows 14-year-old Billy Batson (Asher Angel), a foster kid who is granted powers by an ancient wizard and gains the ability to transform into an adult superhero (Levi) simply by uttering the word “Shazam!”

This time around, Shazam will not face off with his comic book archenemy Black Adam, as Dwayne “The Rock” Johnson is currently developing a solo film for the DC antihero. He will instead battle supervillain Doctor Sivana (Mark Strong) in his first big screen outing.

The Shazam! screenplay was written by Henry Gayden (from a story by Gayden and Darren Lemke) with Peter Safran producing. It actor Jack Dylan Grazer will also star as Billy’s foster brother and best friend Freddy.

Joker (Oct. 4, 2019)

Universe: DC Dark/Black

Director Todd Phillips’ (The Hangover) standalone Joker movie will be the first entry in the DC Dark/Black universe —a line of films that take place outside of the DC Extended Universe, where Jared Leto plays the Joker.

As the latest star to take up the mantle of Gotham’s Clown Prince of Crime, Joaquin Phoenix follows in the footsteps of A-listers like Jack Nicholson and Heath Ledger. But unlike his predecessors, Phoenix will portray the Joker in the years before he becomes Batman’s archnemesis. The origin flick will chronicle failed comedian Arthur Fleck’s descent into madness and eventual transformation into the titular villain, and has been described by Warner Bros. as an “exploration of a man disregarded by society [that] is not only a gritty character study, but also a broader cautionary tale.”

The movie will take place in the 1980s and was reportedly inspired by Martin Scorsese’s 1982 cult classic The King of Comedy. Early reports indicated that Scorsese was attached to the project as a producer, but he is not credited in any capacity.

Joker also stars Robert De Niro, Marc Maron, Zazie Beetz and Dark Knight Rises alum Brett Cullen, with Dante Pereira-Olson set to appear as a young Bruce Wayne. It was co-written by Phillips and Scott Silver (The Fighter).

Birds of Prey (Feb. 7, 2020)

Warner Bros.Margot Robbie as Harley Quinn in Suicide Squad

Universe: DC Extended Universe

Margot Robbie will return as Suicide Squad favorite Harley Quinn to assemble her own team of superheroes in Birds of Prey (And the Fantabulous Emancipation of One Harley Quinn). “I pitched the idea of an R-rated girl gang film including Harley, because I was like, ‘Harley needs friends,'” Robbie told Collider in May 2018. “Harley loves interacting with people, so don’t ever make her do a standalone film.”

Helmed by Indie director Cathy Yan, the female-led flick will also star Mary Elizabeth Winstead as Huntress — a “former mafia princess who was devastated at a young age when her family was killed in a mob hit,” according to Variety — Jurnee Smollett-Bell as Black Canary — a vigilante who takes down opponents with a powerful sonic scream — and Rosie Perez as Gotham City PD detective Renee Montoya. Ewan McGregor has also joined the cast as the villainous Black Mask.

Although Batgirl was a member of the Birds in the comics, in the movie, a younger Cassandra Cain (Ella Jay Basco) will come under the protection of the titular team of heroes.

Birds of Prey was written by Christina Hodson (Bumblebee).

Cyborg (set for April 3, 2020 – for the time being)


Universe: DC Extended Universe

Following his cameo in Batman v Superman: Dawn of Justice, Cyborg was formally inducted into the DCEU in Justice League. Now, Ray Fisher is set to reprise the role of Victor Stone in a solo movie that, according to Joe Morton — who played Cyborg’s father, Silas Stone, in Justice League — may expand on a storyline that was scrapped from the 2017 superhero flick.

The Cyborg standalone was originally slated for an April 2020 release, but it’s possible that date will be pushed back.

Wonder Woman 1984 (June 5, 2020)

Film Review Wonder Woman
Clay Enos—Warner Bros. Entertainment/APGal Gadot in Wonder Woman.

Universe: DC Extended Universe

The Wonder Woman franchise is continuing its march toward Diana Prince’s (Gal Gadot) present-day Justice League storyline with a 66-year time jump from the end of WWI to 1984. Following the success of 2017’s Wonder Woman — which became the highest-grossing live-action film directed by a woman less than a month after it hit theaters — Patty Jenkins is hoping for a repeat performance from Wonder Woman 1984.

“I want to make great movies. I realized I have these characters that I love, this world that I love, and we can make this whole new movie about something pure and strong and unique as the first one,” Jenkins said at San Diego Comic-Con 2018.

While Gadot has said that Wonder Woman 1984 is not a sequel, but rather a “different chapter,” both Gadot and Chris Pine — whose character, Steve Trevor, appeared to die in Wonder Woman — are reprising their roles from the first installment. Kristen Wiig is joining in on the fun as Cheetah, a villain with the ability to transform into a human-cheetah hybrid, while Game of Thrones‘ Pedro Pascal is also set to play a “pivotal role.”

The Wonder Woman 1984 script is based on a story by Jenkins and former DC Entertainment president Geoff Johns and was written by David Callaham (Godzilla, The Expendables).

Green Lantern Corps (set for July 24, 2020 – for the time being)

Universe: DC Extended Universe

Despite the fact that the 2011 Ryan Reynolds-led Green Lantern solo movie was heavily panned by both critics and audiences, Warner Bros. has opted to move forward with a reboot that will introduce multiple Green Lanterns into the DCEU. Silver Age Green Lantern Hal Jordan will reportedly be paired with a younger John Stewart for a buddy cop-style movie that will focus on Stewart’s origin story.

Green Lantern Corps will be written and produced by former DC Entertainment president Geoff Johns, who wrote Green Lantern comics for nearly a decade. No director is yet attached.

The Flash (TBD)

Ezra Miller as the Flash in Justice League

Universe: DC Extended Universe

A Flash spin-off was originally intended to be DC’s first post-Justice League release, but due to a series of director switch-ups — both Seth Grahame-Smith (Pride and Prejudice and Zombies, Abraham Lincoln: Vampire Hunter) and Rick Famuyiwa (Confirmation, Dope) stepped down from the project in 2016 over creative differences with Warner Bros. — the fastest man alive flick isn’t expected to hit theaters until at least 2021. However, no official release date has been announced.

Directing duo Jonathan Goldstein and John Francis Daley (Game Night, Vacation) are currently onboard to helm Barry Allen’s (Ezra Miler) first solo adventure, based on a script by Joby Harold (King Arthur: Legend of the Sword).

“We love that he is not your traditional superhero, like Batman or Superman who have their sh-t together and are filled with angst and anguish,” Daley told Den of Geek in February 2018.

“In much the same way that Peter Parker is sort of the entry level way into the Marvel Superhero Universe, they both share that quality that they’re still a little excited to have these powers and they’re newbies and all that,” added Goldstein.

Suicide Squad 2 (TBD)

Warner Bros. Pictures

Universe: DC Extended Universe

After Suicide Squad director David Ayers opted to pursue the DC Extended Universe’s forthcoming Gotham City Sirens movie rather than take a second run at the Task Force X team, Warner Bros. courted both Mel Gibson (Hacksaw Ridge, Braveheart) and Jaume Collet-Serra (The Shallows) to direct Suicide Squad 2. When neither of those options panned out, Gavin O’Connor (The Accountant) was handed the reins. However, he left the project after learning his take was too similar to the Birds of Prey plot.

Now, former Marvel director James Gunn, who was fired from Guardians of the Galaxy Vol. 3 in July, has been tapped to pen a script and potentially direct what will reportedly be a “reboot” of the first movie. It’s unclear how many, if any, of the original cast members will return.

The Batman (TBD)

Warner Bros. Pictures

Universe: DC Extended Universe

Speculation over Ben Affleck’s solo Batman movie has run rampant since summer 2015, when it was reported that Affleck was in talks with Warner Bros. to star in, co-write and possibly direct the standalone superhero flick. Affleck later decided to step down from the director’s chair in order to focus on his lead role, and Matt Reeves (Dawn of the Planet of the Apes) was brought on board to direct.

However, reports now indicate that Warner Bros. may not intend to move forward with either of its planned Batman or Superman solo movies, meaning Affleck’s departure from the DCEU could be imminent.

New Gods (TBD)

Universe: DC Extended Universe – provisionally

Following the March 2018 release of A Wrinkle in Time, Warner Bros. announced that director Ava DuVernay will be adapting Jack Kirby’s comic New Gods for the DC Extended Universe from a script by Kario Salem (Chasing Mavericks).

If the movie follows the comics, the story will likely center on the war between the Fourth World planets of New Genesis, a utopia ruled by the Highfather, and Apokolips, a dystopia ruled by the despot Darkseid.

Steppenwolf (Ciaran Hinds), Darkseid’s uncle, was already introduced into the DCEU in Batman v Superman: Dawn of Justice and later returned as the main villain in Justice League. Some fans also speculate that Darkseid was the menacing “he” that Lex Luthor (Jesse Eisenberg) referenced at the end of Batman v Superman.

“The bell’s already been rung. And they’ve heard it. Out in the dark among the stars. Ding dong, the God is dead,” Luthor told Batman (Ben Affleck) following Superman’s (Henry Cavill) death. “But a bell cannot be unrung. He’s hungry. He’s found us. And he’s coming.”

However, some reports seem to indicate that New Gods will exist outside of the DCEU entirely and is intended to be the start of a new universe of properties for Warner Bros.

Justice League Dark (TBD)

Universe: DC Extended Universe

Originally titled Dark Universe, Justice League Dark has been in development since at least 2013, when Guillermo Del Toro confirmed he was working on the movie. Nearly six years later, Del Toro is no longer involved, but the project is supposedly still active.

Doug Liman (The Bourne of Idenity, Mr. and Mrs. Smith) was also attached to Justice League Dark for a period of time, but exited in May 2017.

Details about the movie’s plot are being kept under wraps, but as The Hollywood Reporter explains, in the comics, “Justice League Dark was a loosely organized team of supernatural characters who dealt with threats to the world (and, occasionally, all of existence) that were of a more metaphysical nature than the regular League could handle.”

The members of the team vary, but some mainstays include John Constantine, Swamp Thing, Deadman, Zatanna and Etrigan the Demon.

Batgirl (TBD)

Marvel’s Joss Whedon (The Avengers, Avengers: Age of Ultron) was hired to both write and direct a standalone Batgirl movie in March 2017, but left the project in February 2018 after releasing a statement in which he claimed he “really didn’t have a story.”

Warner Bros. is now looking for a female director to replace Whedon while Christina Hodson, the screenwriter for Birds of Prey, pens a script for the Barbara Gordon-centric story.

Gotham City Sirens (TBD)

Clay Enos—Warner Bros. PicturesMargot Robbie as Harley Quinn in Suicide Squad

Universe: DC Extended Universe

Margot Robbie will be back for another DCEU adventure in David Ayer’s (Suicide Squad) Gotham City Sirens movie, which will see Harley Quinn team up with fellow Gotham City female villains Poison Ivy and Catwoman.

“It’s a story about three fantastic women who’re trying to find their way in the world, and realize that they have more power together than they do individually,” Ayers told IGN in 2017. “I have daughters, and I want to create something that might be able to help them get along in the world a little bit.”

Geneva Robertson-Dwore (Tomb Raider) is writing the script.

Untitled Joker movie (TBD)

Warner Bros. Jared Leto in Suicide Squad

Universe: DC Extended Universe

In addition to Joaquin Phoenix’s standalone Joker movie, Jared Leto will be reprising the role of the Clown Prince of Crime for a separate solo flick. However, unlike Phoenix’s, this one will be part of the DCEU.

Leto is reportedly set to both star in and executive produce the still untitled movie, which will lay the groundwork for an expansion of the Suicide Squad property, according to Variety.

Harley Quinn & The Joker (TBD)

Margot Robbie and Jared Leto in Suicide Squad
Clay Enos—DC Comics/Warner Bros.Margot Robbie and Jared Leto in Suicide Squad

Universe: DC Extended Universe

When Jared Leto’s Joker and Margot Robbie’s Harley Quinn aren’t off on their own adventures, they’ll be reuniting to explore their troublesome relationship in a joint movie penned by Glenn Ficarra and John Requa, the writing team behind Bad Santa who now executive produces This Is Us.

“It was sort of like, we wrote Bad Santa a couple of years ago, and it was that sensibility mixed with our This Is Us sensibility. We kind of meshed them together,” Ficarra told Metro in September 2018. “We were doing a relationship movie but with the sensibility of a Bad Santa, f—ed up, mentally deranged people. It was a lot of fun.”

Ficarra even went so far as to reveal how he and Requa envision the first scene playing out. “The whole thing starts with Harley kidnapping Dr. Phil. Played by Dr. Phil, hopefully,” he explained. “Because her and the Joker are having problems with their relationship.”

Blackhawk (TBD)

Universe: TBD

Steven Spielberg officially signed on to produce and potentially direct a movie adaptation of the DC comic Blackhawk — a series that centers on the leader of an elite squadron of WWII fighter pilots — in April 2018. Frequent Spielberg collaborator David Koepp (Jurassic Park, War of the Worlds) is writing the script.

“We are so proud to be the studio behind Steven Spielberg’s latest hit, and are thrilled to be working with him again on this new action adventure,” said Warner Bros. Pictures Group chairman Toby Emmerich following the success of Spielberg’s 2018 release Ready Player One. “We can’t wait to see what new ground he will break in introducing Blackhawk to movie audiences worldwide.”

It’s not yet been confirmed that Blackhawk will be a part of the DC Extended Universe.

Supergirl (TBD)

Universe: DC Extended Universe

Warner Bros. put a Supergirl movie written by Oren Uziel (The Cloverfield Paradox) into development in August 2018. Details about the plot have not yet been released, but in the comics, Supergirl is the teenage cousin of Superman who escapes Krypton at the same time as baby Clark Kent.

Nightwing (TBD)

Universe: DC Extended Universe

Although Warner Bros. announced a Nightwing solo film directed by Chris McKay (The Lego Batman Movie) and written by Bill Dubuque (Ozark) nearly two years ago, progress on the movie seems to have stalled indefinitely since.

However, according to McKay, there’s still hope for a Dick Grayson standalone chronicling the adventures of the original Robin. “No.You’re going to have to wait tho,” McKay tweeted in response to fan who asked if the Nightwing movie was no more in October 2018. “Keep hope alive. To paraphrase Dick Grayson: Nightwing lives. Always.”

Black Adam (TBD)

Universe: DC Extended Universe

Dwayne “The Rock” Johnson has been attached to play DC antihero Black Adam in a DCEU movie for several years. But while he was originally intended to be the villain in Shazam!, Warner Bros. later decided to give each character their own standalone movie before pitting the two against each other on the big screen. Adam Sztykiel (Rampage) has been tapped to write the screenplay with Hiram Garcia (Skyscraper, Rampage) producing.

“For the longest time, you know you kind of have this living superhero in Dwayne Johnson, so I was always trying to figure out what’s the perfect character that will kind of fit him and his look and his build and his kind of edge and the attitude he’s got,” Garcia told Collider in August 2018 of knowing the role was right for Johnson. “Black Adam just made kind of great sense. It was this kind of really cool antihero, kicks ass, who believes in basically exacting justice in his way with a fascinating backstory, the history he has with regards to having been a former slave and freeing his people and then getting his abilities and what happened from there.”

Deathstroke (TBD)

Universe: DC Extended Universe

After making his first DCEU appearance in Justice League’s end credit scene, Joe Manganiello’s Deathstroke was slated to star opposite Ben Affleck in the solo Batman movie. But with that project in limbo, Warner Bros. decided to move forward with a Deathstroke standalone.

“I say ‘it’s in the works’ because it is. There’s nothing further,” Manganiello told MTV at San Diego Comic-Con 2018. “I can’t say without speaking out of school. I’m part of a team, I’m a part of a locker room. You don’t talk outside the locker room. All I can say is, for the hardcore fans, it’s in the works. They want it, they want the character to happen, it’s just when he happens. They [want to do it the right way]. Everybody’s committed to that.”

Gareth Evans (The Raid) has signed on to direct.

Lobo (TBD)

Universe: DC Extended Universe

A movie centered on alien bounty hunter Lobo has been stuck in development for nearly a decade —before the DCEU even existed. But with Jason Fuchs (Wonder Woman) now on board to pen the screenplay, it seems the interstellar mercenary flick may get underway. Transformers‘ Michael Bay has reportedly met with Warner Bros. to discuss the project, but has yet to officially sign on to direct.

Blue Beetle (TBD)

Universe: DC Extended Universe

Warner Bros. announced in November 2018 that Jaime Reyes will become the first Latino superhero to headline a movie in a Blue Beetle standalone. Gareth Dunnet-Alcocer (Miss Bala) has been tapped to write the screenplay with Zev Foreman (Once Upon a Time in Venice) executive producing.

Plastic Man (TBD)

Universe: DC Extended Universe

A Plastic Man movie has reportedly been in development at Warner Bros. since December 2018, when the studio announced that Amanda Idoko (Breaking News in Yuba County) was hired to pen a comedic action-adventure script for the DC character who can transform himself into any shape. Bob Shaye, the co-founder of New Line Cinema, will executive produce.

Source: Entertainment – TIME | 18 Jan 2019 | 2:34 pm

'The Punisher' continues 30-year trail of screen carnage
"The Punisher" returns on Netflix this week, marking a full 30 years of on-screen carnage for the Marvel Comics vigilante -- leaving a trail littered with bodies, and questions about why filmmakers keep returning to an antihero whose brand of justice is so clearly rooted in the past.

Source: - RSS Channel - Entertainment | 18 Jan 2019 | 2:01 pm

Sophie Turner Says Sansa Stark’s Hair Is Full of Game of Thrones Secrets

Sophie Turner’s lips may be sealed when it comes to the plot of season 8 of Game of Thrones, but it turns out her hair could be the real spoiler culprit. In an interview with InStyle that was published on Wednesday, Turner explained how Sansa Stark’s hair has mirrored her character development throughout Game of Thrones.

“The first few episodes she was a Northerner in Winterfell and took after her mother with a simple braid down the back,” she said. “Then when she went to King’s Landing it was a big, decadent halo that was very much like what [Cersei Lannister] wore. With Littlefinger, she dyes her hair black and wears all black. Then she goes back to Winterfell and returns to her mother’s hair.”

Turner went on to say that this trend will continue in season 8, with Sansa’s hair reflecting her growth into a true leader. “She created her own identity in season seven and that kind of runs through to season eight,” she explained. “She’s chosen how she wants her hair to be, and she’s finally the leader and influencer instead of being influenced by everyone else.”

Perhaps this means that Sansa won’t take so kindly to Daenerys showing up at Winterfell claiming she is the rightful heir to the Iron Throne. Is it April 14th yet?

Source: Entertainment – TIME | 18 Jan 2019 | 1:19 pm

Mariah Carey and ex-manager accused of abuse
The singer's former assistant accuses them of subjecting her to "severe sexual harassment and discrimination".

Source: BBC News - Entertainment & Arts | 18 Jan 2019 | 12:25 pm

Ant and Dec reunite for Britain's Got Talent auditions
Ten months after his arrest for drink driving, Ant McPartlin has rejoined Declan Donnelly at the auditions.

Source: BBC News - Entertainment & Arts | 18 Jan 2019 | 12:12 pm

Gladys Knight gets slammed for Super Bowl gig
Gladys Knight's decision to sing the National Anthem at the Super Bowl has stirred controversy.

Source: - RSS Channel - Entertainment | 18 Jan 2019 | 10:24 am

Marie Kondo doesn't really want you to throw away your books
Bibliophiles can turn the page on being mad at Marie Kondo now.

Source: - RSS Channel - Entertainment | 18 Jan 2019 | 9:48 am

'Black Monday' yields poor return on investment
"Black Monday" squanders an impressive portfolio of assets, starting with its cast of Don Cheadle, Regina Hall and Andrew Rannells. A peculiar series that uses the historic stock-market crash of Oct. 19, 1987 as its backdrop -- and mystery -- the Showtime comedy doesn't entirely go bust, but as a viewing proposition, offers a poor return on investment.

Source: - RSS Channel - Entertainment | 18 Jan 2019 | 9:37 am

Netflix movie 'Bird Box' draws 80 million viewers; no data for 'Roma'
Netflix Inc on Thursday said more than 80 million member households will have watched its thriller movie "Bird Box" in its first four weeks, but the streaming giant gave no viewing data for Oscar hopeful "Roma."

Source: Reuters: Entertainment News | 17 Jan 2019 | 6:15 pm

'Glass' half full: 'Unbreakable' sequel yields split decision
"Split" was a surprise hit for director M. Night Shyamalan, but its most satisfying gambit came in unexpectedly setting up a sequel to his 2000 thriller "Unbreakable." The result, "Glass," isn't a breakthrough, but proves just clever enough to come out on the right side of a split decision.

Source: - RSS Channel - Entertainment | 17 Jan 2019 | 6:13 pm

'Surviving R. Kelly' is resonating more because of #MeToo
There was a moment at a press conference this week when Faith Rodgers was asked what she'd want to say to R. Kelly if he was watching.

Source: - RSS Channel - Entertainment | 17 Jan 2019 | 5:41 pm

Jon Snow’s Crypt Statue Now Rests in a Very Hilarious Place in Real Life

With Game of Thrones fans still scrambling to figure out the meaning of the show’s new “Crypts of Winterfell” teaser, Kit Harington has revealed the hilarious real-life location of the Jon Snow statue shown in the promo.

During a Tuesday appearance on The Zoe Ball Breakfast Show, Harington told the BBC Radio 2 host that he is now the proud owner of his character’s stone likeness.

“I kept that statue. You know, the one in the crypt. I kept it, they sent it to my house. So I’ve got it in my shed. How sad is that?” he said. “I was the only one who kept their statue that’s how narcissistic I am.”

Harington went on to explain his future plans for Jon’s effigy. “I’m going to turn it into a water feature I think,” he quipped.

Game of Thrones will return for its eighth and final season on April 14.

Watch the full clip below.

Source: Entertainment – TIME | 17 Jan 2019 | 1:09 pm

Camila Cabello among Grammy performers
The Grammy Awards are going to be filled with showstopping performances.

Source: - RSS Channel - Entertainment | 17 Jan 2019 | 12:55 pm

Luxury leader LVMH planning fashion brand with Rihanna: report
Louis Vuitton parent owner LVMH is developing a luxury brand with singer Rihanna, in a rare move by the acquisitive group towards building a new fashion label from scratch, industry news site WWD reported on Wednesday.

Source: Reuters: Entertainment News | 17 Jan 2019 | 12:07 pm

Supermodel Bundchen responds to Brazil's farm minister in Amazon spat
A high-profile dispute between supermodel Gisele Bundchen and Brazil's agriculture minister over deforestation escalated this week, coming as activists worry about new President Jair Bolsonaro's environmental policies.

Source: Reuters: Entertainment News | 17 Jan 2019 | 9:52 am

‘She Knows How to Play Their Game.’ Regina Hall on Playing a Woman in a Man’s World on Black Monday

The actor, 48, recently won Best Actress at the New York Film Critics Circle Awards for her role in the indie comedy Support the Girls, becoming the first black woman ever to win. In the movie, she plays the manager of a Hooters-like restaurant in which she tries to protect her employees from customers’ casual sexism. In the new 1980s-set Showtime drama Black Monday, Hall battles sexism in a very different kind of workplace. As Dawn, she’s the lone woman at a Wall Street trading firm in the lead-up to the massive stock market crash of Oct. 19, 1987.

What are the challenges for Dawn, the only woman in her workplace?

I think the challenge is to be heard and to be respected, to be treated equally and paid equally for the work that she’s done. Obviously Mo [her boss, played by Don Cheadle] is aware of her gifts. But to be aware is one thing. To be demonstrative of your awareness in terms of how you pay someone and how you value them is another.

The writers could have made her a mother figure in the office but clearly chose not to.

That was one of the things I loved. She wasn’t going to be the one woman like, “Come on, guys, settle down.” You sense that she’s the smartest, but she doesn’t want to be the Debbie Downer. She has to toe the line of being one of the guys so they don’t dismiss her as a sourpuss but still be respected as a woman.

In Support the Girls, your character works in an all-female environment, but she deals with sexism from her boss and the customers.

Absolutely. In both circumstances, these women have to choose their battles. They can’t take every comment as offensive, but they have to stand up for themselves when a line is crossed. I think Dawn is very smart about it because she is aware of all the comments, like “Get me coffee,” and then, “I want cream in my coffee,” and the sexual innuendo. But she knows how to play their game. She can go toe to toe.

There’s a moment in the show in which a screenwriter steals aspects of Dawn’s life to put into the movie Working Girl, essentially whitewashing her story. As you said, Wall Street is mostly white and male, but not exclusively. It feels like this show is trying to correct the record.

This show is about the world of outsiders. You have black characters, an Arab character and a gay character. They’re all working at this one firm trying to prove what they can do. There’s really only one guy who is a traditional Wall Street guy–a white man from Wharton with connections. The writers take those references that we all know and flip them on their heads. That’s what makes this world so interesting.


This appears in the January 28, 2019 issue of TIME.

Source: Entertainment – TIME | 17 Jan 2019 | 6:33 am